When Owen Campbell’s bluesy vocals cut loose, his smoky delivery serves up images of a veteran blues guitarist and singer.  Campbell defies easy categorization. He’s a slide guitarist, a songwriter, banjo player, blues singer, busker, and more. The sort of performer found in New Orleans blues joints, right?  In fact, Campbell’s roots are in Canberra, not NOLA.  While he’s performed and toured internationally for more than seven years, his 2012 run on ‘Australia’s Got Talent’ helped capture the hearts of a wider audience.  But it almost didn’t happen.

“When I was on ‘Australia’s Got Talent’ two years ago, I had a bit of a run-in with the judges during the audition, and I almost missed my chance,” he says. “But it worked in my favor. They had me back for another audition, and I concentrated on my music, and not being cheeky. People in the audience – and the judges – really loved it.”

Campbell earned honors as a finalist on ‘Australia’s Got Talent,’ and audiences responded enthusiastically for his 2013 album, The Pilgrim, which debuted atop the iTunes Blues charts in Australia, Canada, and New Zealand. The CD yielded three Top Ten hits on the Australian Blues Singles chart, including Wreckin’ Ball, the CD’s first track. The Pilgrim – set for a U.S. release on Reckless Grace Music in June – followed the strong debut of his 2011 recording, Sunshine Road, which also topped iTunes’ Australia charts.

A gumbo of influences

Campbell first strummed a guitar at age 9, a gift from his musician father that launched his musical journey. The 30-year-old Campbell’s strongest musical influences were blues-rock musicians from America and the U.K. – and his own household.

“My father was a big influence,” he says. “But so were Bob Dylan, Van Morrison, The Band, and the Rolling Stones. I always liked the way The Band brought variety and diversity to their sound. So my sound has bits of country, soul, Celtic, and rock. I love the variations.”

Today, Campbell brings a gumbo-like repertoire to performances on his U.S. tour of clubs and festivals. His smoldering guitar work runs from bluesy riffs to soulful finger-picking to lap steel guitar solos using a shot glass slide. His eclectic mix of rock-influenced songwriting results from years of busking – performing on the streets of cities across Australia and Europe.

Now, with a U.S. release of The Pilgrim set for mid-2014, Campbell says few things top the thrill of live performance. Whether it’s a club date with a small audience or a festival with thousands, he’ll play anywhere – and often does. His past dates include shows in Austria, Denmark, Germany, India, Ireland, Italy, and the U.K.

“I still do some busking from time to time, because playing two hours a day, every day, is great practice,” says Campbell. “These days, I’ll play 100-150 dates a year, or three or four shows a week, whether it’s a club, pub, festival, or whatever. Anywhere there’s a gig, that’s where I’ll be.”

“There’s nothing like songwriting,” he says. “This next album gives me a chance to grow, and to revisit a song I began writing at age 19 and shelved. Now I can come at it with a fresh set of eyes and ears, and have it mean something new.”

Owen’s latest EP ‘In The Shadow Of The Greats’ is a collection of acoustic cover songs (and 2 originals, previously unreleased) that have been staple ingredients of my live shows for many years.  Springsteen, Waits, Van Morrison and The Beatles, they all stand in my mind as the musical immortals of a golden era, casting the mold into which the next 50 years of music has fallen.  They are the heathen kings of old which all cast a long shadow over these modern times and continue to shine a light, even after all these years.  In some way this is an offering to them, a meager acoustic shrine to celebrate them once more.  And so here I stand, In The Shadow Of The Greats.

With only two Victorian dates on his current tour, local blues fans get a special treat as Owen makes his way to Sunday Soultrain at Davey’s in Frankston on Sunday July 12 from 3pm.

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